เป็นกล้องมิเรอร์เลสฟูลเฟรมตัวแรกของโลกที่มีระบบป้องกันภาพสั่นไหวแบบ 5 แกนในตัวกล้อง แต่ Sony a7 II ยังมีอะไรมากกว่าแค่การถ่ายภาพนิ่ง กล้องเซ็กซี่ขนาดเล็กนี้ใส่ได้พอดีในกระเป๋าส่วนใหญ่ และมีปุ่มและปุ่มที่ปรับแต่งได้มากมายเพื่อให้เข้าถึงส่วนควบคุมที่คุณชื่นชอบได้อย่างรวดเร็ว เรายังชอบภาพที่สว่าง ชัดเจน และสัญญาณรบกวน (ความหยาบ) ที่ค่อนข้างต่ำ แม้ในระดับความไวแสง ISO สูง ด้วยความสามารถไร้สายที่มีประสิทธิภาพ คุณจะสามารถบีมภาพถ่ายของคุณไปยังสมาร์ทโฟนหรือคอมพิวเตอร์ได้ภายในไม่กี่วินาที
ตอนนี้ Sony a7 II มีอายุไม่กี่ปี — Sony a7 ประสบความสำเร็จแล้ว III ซึ่งนำเสนอวิดีโอ HDR 4K ฟูลเฟรมและอายุการใช้งานแบตเตอรี่ที่ดีขึ้น แต่ a7 II ยังคงเป็นกล้องที่ทรงพลัง และราคาถูกกว่ารุ่นใหม่มาก ทำให้ต่อรองได้ดีกว่า
The Fujifilm X-T30 makes it on the list of the best mirrorless cameras because it has many of the features as the more expensive X-T3, but costs less than $1,000. It’s got a great retro look with a ton of dials, but still has modern touches, such as its articulating touchscreen.
The X-T30 takes fantastic pictures in a wide variety of lighting settings, and there are an abundance of settings and artistic filters to get more out of your photos. It has a fast processor that allows you to take DCI 4K video at 30 fps. However, you’re limited to 10-minute clips, so those who plan to shoot video should check out the Sony a6600 instead.
Until recently, most full-frame mirrorless cameras cost at least $2,000 just for the camera body. The Canon EOS RP is part of a trend of less-expensive models, bringing higher image quality at a lower price. The EOS RP has a 26 megapixel sensor, user-friendly controls, a fully articulated touch screen, and a compact body, all for less than $1,000. Not surprisingly for Canon, the EOS RP also takes great pictures, and can shoot video at resolutions up to 4K.
However, there are some compromises: The EOS RP lacks in-body image stabilization, it has a comparatively short battery life, and a slower shooting speed than other mirrorless cameras. Also, because Canon is relatively new to mirrorless cameras, there are fewer lenses available when compared to models from Sony.
The Nikon Z5 is an excellent midrange mirrorless camera with a fu ll-frame sensor, letting you get large and luscious images. Though larger than the Canon EOS RP, we liked the way it handled, allowing us to keep a firm grip. It’s weather-sealed against the elements, too.
The Z5 took excellent pictures in low light, thanks to in-body image stabilization and an ISO range up to 51200. It can shoot 4K Ultra HD/30p video, but the image is cropped, but the camera has a mic and a headphone jack. Last, the 3.2-inch touchscreen is large and bright, but only tilts up and down, and not to the side. Overall, though, this is a great option for those who don’t want to spend more than $1,500 on a full-frame mirrorless camera.
+Tiny and lightweight body+Powerful 5-axis in-body image stabilization+Excellent battery life+Versatile AF modes+Flexible LCD
Reasons to avoid
–Small EVF–Lacks front dial and other controls–Single memory-card slot
The Sony A7C is the smallest and lightest lens-swapping full-frame camera, making it a great alternative to a hefty full-frame DSLR — or even a larger mirrorless option such as the Sony A7 II or Nikon Z5 in this list. That size does come with a few drawbacks, mainly around the absence of certain controls you might expect on a nearly $2000 camera, but it does have a built-in viewfinder and we still found it to handle well in daily use. There’s certainly no doubts around its image quality: it shoots stellar 24MP stills and 4K video, though the latter is limited to 30 fps. Buy it in a kit with the similarly diminutive 28-60mm lens and you have a great option for traveling light.
Nikon was a bit late to the mirrorless camera category, but it’s making up for lost time. Following the launch of the full-frame Z6 and Z7 mirrorless cameras, Nikon introduced the Z 50, which doesn’t have a full-frame sensor, but offers a solid feature set, great image quality and good performance — in a smaller form factor at a more consumer-friendly price.
The Nikon Z 50 is a great mirrorless camera for Nikon enthusiasts; we liked its build and deep, comfortable grip, as well as its sharp electronic viewfinder. Its 3.2-inch touchscreen flips down for selfies, but is obscured if you have the camera on a tripod. The Z 50 has intuitive controls, in-camera retouching, and good performance in low light. However, there’s no in-body image stabilization, and the single card slot only supports lower-end SD cards.
A handsome, compact mirrorless camera that delivers great image quality
Specifications
Megapixels: 20.3MP APS-C CMOS sensor
ISO: 100-51,200
Built-in Flash: Yes
Shooting Speed: 14 fps
Body Size/Weight: 4.8 x 2.6 x 3.3 inches, 17 ounces
Viewfinder: Yes
Screen: 3.0-inch tilt touchscreen
Battery Life (CIPA): 300 shots
Reasons to buy
+Handsome retro design+5-axis image stabilization+Sharp details and accurate colors
Reasons to avoid
–No mic jack
With excellent image quality, 5-axis in-body image stabilization, and a price well under $1,000, the Olympus OM-D EM-10 Mark IV provides a great entry point into the Olympus family. With its touch screen that rotates forward for selfie mode and 31 built-in image filters, the camera offers an easy upgrade from cellphone photography. And its compact design makes the Mark IV pretty easy to carry around.
But the Mark IV is not dumbed-down in any way. The bright OLED viewfinder offers a generous resolution of 2.36 million dots, and the camera also has a bright, colorful 3-inch LCD touchscreen with about a million dots of resolution. The screen tilts up about 90 degrees and down 180 degrees to face you when shooting selfies. Video (4K/30 fps) is good, but held back by the lack of a microphone jack.
In-body 5-axis image stabilization is the OM-D E-M10 IV’s standout feature. It’s not common in mirrorless cameras, and the capability is especially rare at this price.
Canon’s second-generation EOS M6 Mark II mirrorless camera has a lot to like: It has a 32MP APS-C size sensor, the highest resolution in its class, and shares a number of features with the Canon EOS 90D, its DSLR sibling, such as the image processor, 4K video and Dual Pixel CMOS AF. And, it comes in a much more compact package, weighing in at 14.4 ounces with the battery.
However, Canon sacrificed a built-in viewfinder, and while the M6 Mark II has an excellent 3-inch touchscreen, you’ll want to purchase this camera as part of a kit, or be prepared to shell out an extra $200 for the optional electronic viewfinder that slides into the camera’s hot shoe. If you can live with this compromise, though, you’ll be rewarded with crisp photos and fast shooting speeds.
The criteria when shopping for a mirrorless camera are pretty much the same as when you’re looking for any sort of camera.
First, what is your budget? While our picks of the best mirrorless cameras all fall under $1,500, you can find models that are twice as expensive, and their features are very tempting.
Next, what is your experience level? If you’re new to mirrorless cameras or photography in general, it’s worth getting a lower-priced model with more beginner-friendly features, such as in-camera guides that explain various settings.
Last, consider what you want to do with the camera. If you’re shooting sports or wildlife, you’ll want a camera that can take a lot of pictures quickly, as well as one with in-camera stabilization. And, while mirrorless cameras are known for their smaller size relative to DSLRs, you’ll want one that’s more compact if you’re planning to take it traveling.
How we test mirrorless cameras
To determine which models make our list of the best mirrorless cameras, we first put each through a battery of tests, and evaluate them for such things as image and video quality, battery life, design, and usability. How fast can the camera shoot? Is its autofocus quick to lock on to subjects in the frame? When recording video, does it use the full sensor, and at what resolution can it record?
We also look at things such as button placement, how easy it is to navigate in-camera menus, if its touchscreen can fold outwards, and if you can access all the camera’s settings using the display.
Finally, we consider such things as what features the camera has, and what competitors are offering in cameras that cost around the same price.
How to choose a lens for your mirrorless camera
One of the most important qualities that mirrorless and DSLRs share is that they accept interchangeable lenses, which can dramatically improve image quality and bring your photography to a new level. But there are scores of lenses to choose from, which can be confusing. To help you get better acquainted with this important camera accessory, here’s a quick rundown of types of interchangeable lenses that are available for your mirrorless camera:
Standard zoom lenses: This is the lens that most people who buy an entry-level DSLR or mirrorless model as a kit use first. Mirrorless kits generally come with a 14-42mm lens. They typically include a small amount of zoom (3x), and are often inexpensive, but not the highest quality. However, in the past several years, the quality of these kit lenses has improved.
Prime lenses: You can save money by choosing a prime or non-zoom lens. They offer excellent quality, and are often much more affordable. If you need to zoom, just use your feet and walk closer to your subject!
Telephoto zoom lenses: If you shoot a lot of sports or other types of events, consider these powerful zooms, which can bring you closer to the action and provide features to capture images with shallow depth-of-field. They can be a bit heavy and bulky, but most manufacturers have been inventing new lenses that are smaller and more compact, but are still high quality. The 70mm-200mm is a good example of this type of lens.
Wide-angle lenses: If you’re traveling, this type of lens, such as a 16-35mm zoom, can be very valuable, since it allows you to capture different types of wide-angle shots. Want to shoot a group portrait? Set the zoom lens towards the 35mm end of the range, which will avoid distortion at the edges of the image. Or if you want to capture a broad, sweeping landscape, use the lower end of the zoom, nearer to the 16mm end. However, these lenses can be pricey.
Macro or Close-up lenses: If you’re looking to capture close-up shots of small objects, you’ll want a good quality macro lens, which come in a variety of focal lengths, such as 50mm and 100mm. Be sure to do your research so you know that the lens you want has macro capabilities.
Specialty lenses: One of the most notable specialty lenses in this category is the ultra-wide fisheye lens, which some photographers love for the exceptionally distorted point of view. Other types include tilt-shift and soft-focus lenses.
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